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4th Jun 2016 from TwitLonger
http://www.hs.fi/kulttuuri/a1464935751817?ref=hs-etusivu-uusimmat-#1
GOOGLE TRANSLATE:
Adam Lambert shined Queen tribute
QUEEN + ADAM LAMBERT, SUZANNE VEGA Kaisaniemi 06/03/2016
WHEN Queen singer Freddie Mercury died at the age of 45 in November 1991, was the band's eye view, the current barely mid-career. At 21 years old it should have been left in a career for decades.
Among other things, the reason does not seem right to blame active members of Queen drummer Roger Taylor and guitarist Brian May cashes or an old reputation of milking, when they have over the years given rise to the old band to life by means of a visiting soloist. Another reason is the fact that the American Idol risen to the surface of the singer Adam Lambert if someone is a man in place of Queen vocalist.
He does not try to be Freddie Mercury, and no one can demand from him a bit, but he is able to empathize with a romantic Queen, theatrical music in a way that has the greatest possible tribute to Freddie Mercury. Compared to the previous lainavokalistiin Queen, Bad Company and Free, macho bidder Paul Rodgers, he actually channeling Mercury's Camp and sparkling charisma steeped in the essence.
Lambert has performed with the Queen since 2011, and he has clearly succeeded in activating the Mayn, and Taylor, both of which seemed now sentence is satisfied by accessing roads and to present the old songs (bassist John Deacon though he has not been successful in attracting back out of retirement).
LAMBERT himself is well aware that it might be the world's most handsome tribute to the band's singer and that is why he is not ashamed to make the songs themselves appearance.
His vocal range is big, his style is smooth, and his being is pure viihteellisyyttä which had not been Mercury's elemental power tähtikarismassa, but it all works in the context of honor excellently. Discohenkisissä songs like Another One Bites the Dust and Radio Ga Ga, his style seems even startlingly natural.
It is also about sexual equality profits: openly gay Lambert must not be a vacancy camp than Mercury, which was forced to veil the sexuality of his own time means being ironic, mystical and distant.
A LITTLE within two hours of the concert is attractively built. Here you can navigate to a natural material 80s (One Vision and Hammer to Fall), top 70s (Seven Seas of Rhye), accompanied by songs seamlessly with each other and changed the atmosphere of bailukappaleista (Do not Stop Me Now, Somebody to Love) nostalgic, but beautiful reminiscence (Love of My Life, These Are the Days of Our Lives). Freddie Mercury comes alive skriinillä when Lambert, May and Taylor alternated with her playing and singing.
The most complex archive tapes, sheet material, and a live performance collage heard Bohemian Rhapsody, where new and old mingled tuned to the extreme to be effective leavening. Between Lambert sang skriinillä with grand piano calling Mercury alternately, between the parts were disc version. Fortunately, this way the power is not used as a working piece.
BUYERS TOMIN part of the concert was Roger Taylor and kakkosrumpalin, Taylor's son Rufus Tiger Taylor's drum battle with the best side was that it was a merciful short. Compared to that, many times longer than May's solo section I Want It All in between the song and Tie Your Mother Down was a great cosmic kitaramaalailua, which was also clearly the most surprising part of the concert artistically.
built around the Queen minifestival best known for the warm-was a New Yorker Suzanne Vega, who performed two of us with an Irish guitarist Gerry Leonard.
Vega has been created despite attempts any kind of contact with the audience, and he had to juggle hittiensä 1980s and a fairly trivial between the new piece. A couple of times she tried to wake ärhäkästi Queen fans of summer dormancy, but it felt like the donor, when it did not work.
He had saved the biggest hit, the last, but even edgy and avant-called spirit of Leonard did not get blown to the atmosphere. Finally, the consulted Tom's Diner it was actually just the opposite: Leonard shapeless ambient matching raised eyebrows in the audience just paralysis.